Georg Philipp Telemann, Hille Perl made "Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:a1: II. Allegro" available on October 22, 2012. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Telemann/Pfeiffer/Graun: Concerti". In this album, this song's track order is #2. Based on our statistics, Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:a1: II. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:a1: II. Allegro by Georg Philipp Telemann, Hille Perl having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in F Major, TWV 40:103: I. Dolce | Georg Philipp Telemann, Michala Petri | F Major | 0 | 7B | 80 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Concerto for 2 Flutes and Lute in E Minor, TWV 53:e2: II. Presto | Georg Philipp Telemann, Gunther Holler, Christoph Huntgeburth, Cappella Coloniensis, Hans-Martin Linde | E♭ Minor | 2 | 2A | 126 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Zaïs, Ouverture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | C Major | 4 | 8B | 137 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: II. Andante | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | A♭ Minor | 1 | 1A | 88 BPM | ||
Concerto 6 in A Major, Op. 7: III. Giga allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 3 | 4B | 123 BPM |
Section: 0.652869701385498
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