György Ligeti, Marion Ralincourt, Hélène Mourot, Christian Laborie, Michaël Rolland, Pierre Rougerie made "Six Bagatelles for Wind Quintet: V. Adagio. Mesto (In Memoriam Béla Bartók) - Live" available on September 23, 2016. The duration of Six Bagatelles for Wind Quintet: V. Adagio. Mesto (In Memoriam Béla Bartók) - Live is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Six Bagatelles for Wind Quintet: V. Adagio. Mesto (In Memoriam Béla Bartók) - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in György Ligeti, François-Xavier Roth, Les Siècles's "Ligeti: Six Bagatelles, Kammerkonzert & Dix pièces pour quintette à vent (Live)" album is number 5 out of 20. On top of that, France appears to be the country where this track was created. Six Bagatelles for Wind Quintet: V. Adagio. Mesto (In Memoriam Béla Bartók) - Live is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Six Bagatelles for Wind Quintet: V. Adagio. Mesto (In Memoriam Béla Bartók) - Live by György Ligeti, Marion Ralincourt, Hélène Mourot, Christian Laborie, Michaël Rolland, Pierre Rougerie to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Märchentänze (Orchestral Version): III. A Skylark for Jane | Thomas Adès, Pekka Kuusisto, Finnish Radio Symphony Orchestra, Nicholas Collon | A Minor | 1 | 8A | 120 BPM | ||
Toccata, Op. 11 | Sergei Prokofiev, Martha Argerich | G Minor | 1 | 6A | 96 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): II. Quietly and with a cruel reverberation | Toru Takemitsu, Kotaro Fukuma | C Major | 0 | 8B | 100 BPM | ||
Hommage à J.S.B.: II. Andantino | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
Ligeti : Hamburg Concerto : III Aria, Aksak, Hoketus | György Ligeti, Reinbert de Leeuw | C Major | 1 | 8B | 114 BPM | ||
Four Dirges, Sz. 45, Op. 9a: 1. Adagio | Béla Bartók, Alexei Lubimov | E Major | 0 | 12B | 0 BPM | ||
String Quartet in G Minor, Op. 10, L. 85: 1. Animé et très décidé | Claude Debussy, Melos Quartet | B♭ Major | 1 | 6B | 131 BPM | ||
String Quartet No. 2 | Sofia Gubaidulina, Stamic Quartet | D Major | 0 | 10B | 77 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Pierrot Lunaire, Op.21 (1912) / Part 1: 3. Der Dandy | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | A Major | 0 | 11B | 76 BPM |
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