Hector Berlioz, David Briggs made "La damnation de Faust, Op. 24, H. 111: Marche hongroise (Arr. D. Briggs for Organ)" available on April 11, 2002. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "The World of Organ Transcription". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, La damnation de Faust, Op. 24, H. 111: Marche hongroise (Arr. D. Briggs for Organ) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La damnation de Faust, Op. 24, H. 111: Marche hongroise (Arr. D. Briggs for Organ) by Hector Berlioz, David Briggs having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Damnation de Faust, Op. 24, H. 111: Pt. II, Scène VI - Chanson de Méphistophélès. "Une puce gentille" | Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle, Christopher Purves, London Symphony Chorus | F Major | 2 | 7B | 164 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
La Damnation de Faust, Op. 24, H. 111: Pt. II, Scène IV - Chant de la Fête de Pâques. "Christ vient de ressusciter!" | Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle, Bryan Hymel, London Symphony Chorus | F Major | 1 | 7B | 85 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
Berlioz: Benvenuto Cellini, H. 76a, Act 1: "Viens, pas à pas" (Fieramosca, Cellini, Teresa, Chorus, Pompeo, Ascanio, Balducci, Francesco, Bernardino) | Hector Berlioz, John Nelson, Gregory Kunde, Jean-Francois Lapointe, Joyce DiDonato, Laurent Naouri, Marc Mauillon, Patrizia Ciofi, Ronan Nédélec, Éric Salha, Orchestre National De France | B♭ Major | 3 | 6B | 74 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM |
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