Luis de Milán, Konrad Ragossnig's 'Lute music - Spain: 2. Pavana II del tercero y quarto tono' came out on January 1, 1974. With Lute music - Spain: 2. Pavana II del tercero y quarto tono being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Works For Lute by Konrad Ragossnig. The song's track number on the album is #10 out of 114 tracks. Lute music - Spain: 2. Pavana II del tercero y quarto tono is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Lute music - Spain: 2. Pavana II del tercero y quarto tono by Luis de Milán, Konrad Ragossnig has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lute music - Spain: 2. Pavana II del tercero y quarto tono being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
Ayres for the Violin (arr. for guitar): Aria II | Nicola Matteis, Pierre Pitzl | B Major | 0 | 1B | 99 BPM | ||
L'impromptu: Allemande | Francesca Torelli, Charles Mouton | A Minor | 1 | 8A | 129 BPM | ||
Calata a la spagnola II | Joan Ambrosio Dalza, Atrium Musicae de Madrid, Gregorio Paniagua | N/A | N/A | N/A | 0 BPM | ||
Io ti vorria contar, LV 658 (Transcr. for Lutes by Evangelina Mascardi) | Orlande de Lassus, Evangelina Mascardi, Frédéric Zigante, Cornelia Demmer | B Major | 2 | 1B | 136 BPM | ||
Soneto I | Enríquez de Valderrábano, Shirley Rumsey | F Major | 0 | 7B | 139 BPM | ||
Lute music - Spain: 3. Pavana III del quinto y sexto tono | Luis de Milán, Konrad Ragossnig | E♭ Major | 1 | 5B | 100 BPM | ||
Saltarello | Molinaro Simone, Konrad Ragossnig | B♭ Major | 0 | 6B | 96 BPM | ||
Intavolatura di chitarra a cinque ordini, Book 2: Capona | Francesco Valdambrini, Pierre Pitzl | D♭ Major | 0 | 3B | 98 BPM | ||
De Fuenllana : Postrero kyrie | Heringman | A Minor | 0 | 8A | 87 BPM |
Section: 0.7415344715118408
End: 0.7541565895080566