Luis de Milán, Konrad Ragossnig made "Lute music - Spain: 3. Pavana III del quinto y sexto tono" available on January 1, 1974. With Lute music - Spain: 3. Pavana III del quinto y sexto tono being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Works For Lute by Konrad Ragossnig. The song's track number on the album is #11 out of 114 tracks. In terms of popularity, Lute music - Spain: 3. Pavana III del quinto y sexto tono is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Lute music - Spain: 3. Pavana III del quinto y sexto tono by Luis de Milán, Konrad Ragossnig has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lute music - Spain: 3. Pavana III del quinto y sexto tono being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in C Major (Weiss) - Andante | Edward Martin and Paul Berget | B Major | 1 | 1B | 86 BPM | ||
Suite in D Minor: I. Praeludium | Esaias Reusner, Lutz Kirchhof | D♭ Minor | 1 | 12A | 71 BPM | ||
Second livre de danseries: Tourdion C’est grand plaisir | Pierre Attaingnant, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
Cancionero musical de palacio: No. 277, Ojos, mis ojos | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | C Major | 0 | 8B | 75 BPM | ||
Dieu Quel Mariage/Corps Digne | Piffaro | B Minor | 1 | 10A | 108 BPM | ||
Je suis trop jeunette, pour instruments | Raulin De Vaux, Doulce Mémoire | E♭ Minor | 0 | 2A | 90 BPM | ||
Sonata for Recorder and Continuo in D Minor: III. Allegro | James Paisible, Tamar Lalo, La Ritirata, Josetxu Obregon | C Major | 4 | 8B | 95 BPM | ||
Cancion del Emperador | Luis de Narváez, Carlos Omar López | F♯ Minor | 2 | 11A | 92 BPM | ||
Madonna Qual Certezza | The Royal Wind Music | F♯ Minor | 1 | 11A | 73 BPM | ||
Lute Sonata No. 9: II. Alemanda | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 1 | 12A | 92 BPM |
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