"Concerto No. 4 in G Major, BWV 1049: II. Andante" by Johann Sebastian Bach, Musica Amphion, Pieter-Jan Belder was released on 2006. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 19 in Bach: Brandenburg Concertos by Johann Sebastian Bach, Musica Amphion, Pieter-Jan Belder. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Concerto No. 4 in G Major, BWV 1049: II. Andante's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto No. 4 in G Major, BWV 1049: II. Andante by Johann Sebastian Bach, Musica Amphion, Pieter-Jan Belder is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM | ||
Flute Sonata in E Minor, Op. 1 No. 1b, HWV 359b: II. Allegro | George Frideric Handel, Dorothea Seel, Luca Guglielmi | E♭ Minor | 2 | 2A | 102 BPM | ||
Fasch : Symphony in G major : IV Presto | Johann Friedrich Fasch, Jean-François Paillard & Orchestre de Chambre Jean-François Paillard, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 2 | 10B | 129 BPM | ||
Concerto 5 in A Minor, Op. 7: II. Largo-Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 1 | 12B | 82 BPM | ||
Bach, JS: Harpsichord Concerto No. 4 in A Major, BWV 1055: II. Larghetto | Johann Sebastian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | F Minor | 1 | 4A | 86 BPM | ||
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
The Fairy Queen, Z. 629, Act II: Air | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | B Major | 2 | 1B | 112 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Concerto Op. 3 No. 1 in D Major for 4 violins & violoncello: III. Allegro | Antonio Vivaldi, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 3 | 4B | 156 BPM |
Section: 0.6126973628997803
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