"Chausson: Apaisement" by Ernest Chausson, Philippe Jaroussky, Jerome Ducros was released on February 13, 2015. The duration of Chausson: Apaisement is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Chausson: Apaisement's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philippe Jaroussky's "Green - Mélodies françaises" album is number 18 out of 43. Chausson: Apaisement is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chausson: Apaisement by Ernest Chausson, Philippe Jaroussky, Jerome Ducros to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
Viola Sonata: II. Vivace | Rebecca Clarke, Philip Dukes, Sophia Rahman | G Major | 1 | 9B | 67 BPM | ||
Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM | ||
Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker | E♭ Major | 0 | 5B | 115 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM | ||
Shéhérazade, M. 41: II. La flûte enchantée | Maurice Ravel, Anne Sofie von Otter, Cleveland Orchestra, Pierre Boulez | B Minor | 0 | 10A | 76 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: II. Andante | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | F♯ Major | 0 | 2B | 62 BPM | ||
Scenes de la foret, Op. 123: No. 1. Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, members | A♭ Major | 0 | 4B | 131 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM |
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