Ralph Vaughan Williams, Martin Rummel, Staatsphilharmonie Rheinland-Pfalz, Karl-Heinz Steffens's 'Fantasia on Sussex Folk Tunes' came out on August 4, 2017. Fantasia on Sussex Folk Tunes appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Orchestral Works by Ralph Vaughan Williams, Staatsphilharmonie Rheinland-Pfalz, Karl-Heinz Steffens. The song's track number on the album is #2 out of 10 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Fantasia on Sussex Folk Tunes's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Fantasia on Sussex Folk Tunes by Ralph Vaughan Williams, Martin Rummel, Staatsphilharmonie Rheinland-Pfalz, Karl-Heinz Steffens has a tempo of 122 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Fantasia on Sussex Folk Tunes being at 122 BPM, the half-time would be 61 BPM with a double-time of 244 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 69 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Vaughan Williams: Symphony No. 6 in E Minor: IV. Epilogue. Moderato | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | E Major | 1 | 12B | 87 BPM | ||
Romance for Cello & Piano, RT VIII/5 | Frederick Delius, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 87 BPM | ||
Serenade to Music | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Carla Huhtanen, Emily D'Angelo, Lawrence Wiliford, Tyler Duncan, Elmer Iseler Singers | D Major | 1 | 10B | 91 BPM |
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