"Madama Butterfly - Act I" by Carlo Bergonzi, Tullio Serafin, Orchestra of the Accademia di Santa Cecilia & Roma, Angelo Mercuriali was released on June 14, 2011. The duration of Madama Butterfly - Act I is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Madama Butterfly - Act I's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Madama Butterfly (Complete Opera in Two Acts)" album is number 1 out of 39. On top of that, United States appears to be the country where this track was created. The popularity of Madama Butterfly - Act I is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madama Butterfly - Act I by Carlo Bergonzi, Tullio Serafin, Orchestra of the Accademia di Santa Cecilia & Roma, Angelo Mercuriali to be Vivace (lively and fast) because the track has a tempo of 162 BPM, a half-time of 81BPM, and a double-time of 324 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon / Act 2: Adieu, notre petite table | Jules Massenet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 1 | 6A | 97 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Fedora: Amor ti vieta | Umberto Giordano, Luciano Pavarotti, Emerson Buckley, Orchestra Sinfonica dell'Emilia-Romagna | C Major | 2 | 8B | 79 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM | ||
La Bohème / Act 3: "Mimì è una civetta" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 69 BPM | ||
Di'tu se fedele | Carlo Bergonzi | A♭ Minor | 1 | 1A | 105 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Una nave da guerra | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | E Major | 2 | 12B | 91 BPM | ||
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A Major | 1 | 11B | 69 BPM | ||
Le Nozze di Figaro, K.492 (1997 - Remaster): Porgi, amor | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 79 BPM | ||
Carmen (1997 - Remaster), Act I: Que se passe-t-il donc là-bas?...Au secours! | Georges Bizet, Jacques Mars/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Major | 3 | 10B | 75 BPM |
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