"Manon / Act 3: Io son sol...Ah! Dispar vision" by Jules Massenet, Luciano Pavarotti, New York Philharmonic, Zubin Mehta was released on January 1, 2001. With this song being about 5 minutes long, at 4:52, "Manon / Act 3: Io son sol...Ah! Dispar vision" by Jules Massenet, Luciano Pavarotti, New York Philharmonic, Zubin Mehta is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 202 in the song's album "The Pavarotti Edition". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. The popularity of Manon / Act 3: Io son sol...Ah! Dispar vision is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon / Act 3: Io son sol...Ah! Dispar vision by Jules Massenet, Luciano Pavarotti, New York Philharmonic, Zubin Mehta having a BPM of 163 with a half-time of 82 BPM and a double-time of 326 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs: Act I: Scene 1: Mon fils, ne nous mêlons jamais | Jules Massenet, Julius Rudel | D Major | 3 | 10B | 83 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Méditation | Jules Massenet, James Galway, David Measham, National Philharmonic Orchestra | D Major | 2 | 10B | 167 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
On The Wings Of Song Op. 34 No. 2 | Felix Mendelssohn, Sarah Chang, Charles Abramovic | D Major | 1 | 10B | 84 BPM | ||
Hérodiade - Acte III - 2ème tableau - Scène XII : J'ai vécu de sa vie et mourrai de sa mort (Hérode, Jean, Hérodiade, Vitellius, Phanuel, Salomé) | Henri Gremont, Jules Massenet, Paul Milliet, Nadine Denize - Thomas Hampson - Ben Heppner - Orchestre Du Capitole De Toulouse - Michel Plasson - Cheryl Studer - Marcel Vanaud - José Van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | D Major | 2 | 10B | 86 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM |
Section: 0.8855586051940918
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