"Missa solemnis in D Op. 123, Credo: Et resurrexit tertia die - Credo in Spiritum Sanctum" by Hans Tschammer, English Chamber Orchestra, Carol Vaness, Waltraud Meier, Hans Peter Blochwitz, Jeffrey Tate, Tallis Chamber Choir was released on June 4, 2007. The duration of Missa solemnis in D Op. 123, Credo: Et resurrexit tertia die - Credo in Spiritum Sanctum is about 3 minutes long, at 3:00. Based on our data, "Missa solemnis in D Op. 123, Credo: Et resurrexit tertia die - Credo in Spiritum Sanctum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 100 in Best Beethoven 100 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Missa solemnis in D Op. 123, Credo: Et resurrexit tertia die - Credo in Spiritum Sanctum is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa solemnis in D Op. 123, Credo: Et resurrexit tertia die - Credo in Spiritum Sanctum by Hans Tschammer, English Chamber Orchestra, Carol Vaness, Waltraud Meier, Hans Peter Blochwitz, Jeffrey Tate, Tallis Chamber Choir is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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German Requiem, Op. 45: Ihr habt nun Traurigkeit | Johannes Brahms, London Symphony Orchestra, Sally Matthews, Valery Gergiev, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
Serse, HWV 40, Act I Scene 4: Recitativo. Arsamene (Romilda, Arsamene, Atalanta) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM | ||
Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | ||
Der Freischütz, J. 277 / Act 2: "Schelm! Halt fest!" | Carl Maria von Weber, Edith Mathis, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | E Major | 2 | 12B | 96 BPM | ||
Symphony No. 6 in C Major, D. 589: I. Adagio. Allegro | Franz Schubert, Stockholm Sinfonietta, Neeme Järvi | C Major | 0 | 8B | 131 BPM | ||
Mass in C Major, Op. 86: VI. Agnus Dei | Ludwig van Beethoven, Sir Colin Davis, Sara Mingardo, London Symphony Orchestra, Sally Matthews, London Symphony Chorus, Alastair Miles, John Mark Ainsley | C Major | 1 | 8B | 78 BPM | ||
Elias, Op. 70, MWV A25, Part I: No. 8, Recitative, Aria "Was hast du an mir getan" (Die Witve, Elijah) | Felix Mendelssohn, Soile Isokoski, Petteri Salomaa, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
Stabat mater, op.58: 5. Coro "Tui nati vulnerati" | Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 1 | 10B | 147 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Teil. Hymnus. Veni, creator spiritus! | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | D Major | 2 | 10B | 75 BPM |
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