On February 12, 2021, the song "Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. - Live at Thomaskirche Leipzig / 2020" was released by Johann Sebastian Bach, Lang Lang. The duration of Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. - Live at Thomaskirche Leipzig / 2020's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. In terms of popularity, Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 by Johann Sebastian Bach, Lang Lang is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.16 in G minor BWV885 | Daniel Barenboim | B♭ Major | 1 | 6B | 169 BPM | ||
Matthäus-Passion, BWV 244 / Erster Teil: No. 24 "Und er kam zu seinen Jüngern" | Johann Sebastian Bach, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 0 | 1A | 77 BPM | ||
Handel: Organ Concerto in B-Flat Major, Op. 7 No. 3, HWV 308: II. Adagio | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Simon Preston, Valda Aveling | D Minor | 0 | 7A | 82 BPM | ||
Piano Sonata No. 15 in F Major, K. 533/494: III. Rondo - Allegretto | Wolfgang Amadeus Mozart, Mao Fujita | E♭ Major | 0 | 5B | 198 BPM | ||
Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 18a, Rezitativ. "Da sprach Pilatus zu ihm" | Johann Sebastian Bach, Karl Forster, Dietrich Fischer-Dieskau, Fritz Wunderlich, Karl Christian Kohn, Berliner Symphoniker | A♭ Major | 2 | 4B | 94 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.8 in D sharp minor BWV877 | Daniel Barenboim | D♭ Minor | 0 | 12A | 68 BPM | ||
Limu, limu, lima (Arr. Schindler for Piano) | Lang Lang | E Minor | 0 | 9A | 69 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 4 : I. Adagio - Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Ludovit Kanta, Daniela Ruso, Capella Istropolitana | D Major | 3 | 10B | 130 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.20 in A minor BWV889 | Daniel Barenboim | D♭ Major | 0 | 3B | 56 BPM |
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