Johann Christian Bach, Berliner Barock-Compagney made "Quintett in G Major, Op. 11, No. 2, W. B71: II. Allegro assai" available on January 1, 2005. The duration of Quintett in G Major, Op. 11, No. 2, W. B71: II. Allegro assai is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Quintett in G Major, Op. 11, No. 2, W. B71: II. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 12 in Bach, J.C.: Chamber Music - Opp. 8, 11, 22 / Sextet in C Major by Johann Christian Bach, Berliner Barock-Compagney. Based on our statistics, Quintett in G Major, Op. 11, No. 2, W. B71: II. Allegro assai's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Quintett in G Major, Op. 11, No. 2, W. B71: II. Allegro assai by Johann Christian Bach, Berliner Barock-Compagney is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Viola Concerto No. 1 in D Major: II. Andante moderato | Carl Stamitz, Hariolf Schlichtig, Munich Chamber Orchestra | F Major | 0 | 7B | 178 BPM | ||
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | ||
Symphonie concertante in F Major, W. C38: II. Tempo di minuetto | Johann Christian Bach, Lajos Lencsés, Emilia Csanky, Karoly Botvay, Budapest Strings | D Major | 3 | 10B | 88 BPM | ||
Der Fischer und das Milchmädchen: XIII. Molto moderato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 4 in F Minor for solo violin, RV297 "L'Inverno": 3. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | F Minor | 2 | 4A | 87 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Sinfonia concertante in E-Flat Major, W. C41: II. Larghetto | Johann Christian Bach, Andras Horn, Nandor Gotz, Jeno Kevehazi, Lehel Ronai, Aladar Tuske, Budapest Strings, Karoly Botvay | C Major | 1 | 8B | 135 BPM |
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