"Ein Heldenleben, Op. 40, TrV 190: III. Des Helden Gefährtin" by Richard Strauss, Orchestre Symphonique de Montréal, Rafael Payare was released on March 15, 2024. Since Ein Heldenleben, Op. 40, TrV 190: III. Des Helden Gefährtin is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Strauss: Ein Heldenleben - Mahler: Rückert-Lieder". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Ein Heldenleben, Op. 40, TrV 190: III. Des Helden Gefährtin is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ein Heldenleben, Op. 40, TrV 190: III. Des Helden Gefährtin by Richard Strauss, Orchestre Symphonique de Montréal, Rafael Payare having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Piano in E flat, Op.18: II. Improvisation (Andante cantabile) | Richard Strauss, Itzhak Perlman, Emanuel Ax | A♭ Major | 2 | 4B | 81 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | D Minor | 3 | 7A | 107 BPM | ||
Der Rosenkavalier op. 59: Als Morgengabe | Richard Strauss, Metropolitan Opera Orchestra, Fritz Reiner, Emanuel List, Gerhard Pechner, Giuseppe Di Stefano | G Major | 2 | 9B | 84 BPM | ||
Feuersnot, Op. 50, TrV 203: Love Scene | Richard Strauss, Neeme Järvi, Royal Scottish National Orchestra | E♭ Major | 1 | 5B | 131 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM |
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