On June 22, 2024, the song "Dieupart: Harpsichord Suite No. 5 in G Major: II. Allemande (Version With Recorder)" was released by Charles Dieupart, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Recorder Music on Original Instruments: Parcham, van Eyck, Lœillet, Dieupart & Telemann". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. In terms of popularity, Dieupart: Harpsichord Suite No. 5 in G Major: II. Allemande (Version With Recorder) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Dieupart: Harpsichord Suite No. 5 in G Major: II. Allemande (Version With Recorder) by Charles Dieupart, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Airs for the Summer: Veronica: I. Aria: Largo affettuoso | James Oswald, The Broadside Band | D♭ Minor | 2 | 12A | 93 BPM | ||
Sonata No. 2 in A Major, "The Visitation": III. Presto | Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame | A♭ Minor | 2 | 1A | 101 BPM | ||
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: IV. Allegro | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | G Major | 1 | 9B | 97 BPM | ||
Dieupart: Harpsichord Suite No. 5 in G Major: VI. Menuet en rondeau (Version With Recorder) | Charles Dieupart, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | E Major | 0 | 12B | 116 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Dieupart: Harpsichord Suite No. 5 in G Major: III. Courante (Version With Recorder) | Charles Dieupart, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | E Major | 0 | 12B | 116 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo: Allegro vivace | Ludwig van Beethoven, Orchestra Of The 18th Century, Frans Brüggen | F Minor | 1 | 4A | 114 BPM | ||
Chédeville: Il pastor fido, Op. 13, Recorder Sonata No. 6 in G Major: I. Vivace (Formerly Attributed to Vivaldi as RV 57) | Nicolas Chédeville, Frans Brüggen, Anner Bylsma, Gustav Leonhardt | G Minor | 2 | 6A | 115 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM |