Nicol Matt, Jens Wollenschläger, Jörg Halobek, Martina Rotbauer, Johann Sebastian Bach, Robert Sagasser, Heike Hümmer, Soloist Of The Freiburger Barockorchester, Ute Petersilge, Nordic Chamber Choir made "Nun Komm, Der Heiden Heiland, Cantate Bwv 36" available on March 28, 2007. With Nun Komm, Der Heiden Heiland, Cantate Bwv 36 being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Nun Komm, Der Heiden Heiland, Cantate Bwv 36 is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Nun Komm, Der Heiden Heiland, Cantate Bwv 36 by Nicol Matt, Jens Wollenschläger, Jörg Halobek, Martina Rotbauer, Johann Sebastian Bach, Robert Sagasser, Heike Hümmer, Soloist Of The Freiburger Barockorchester, Ute Petersilge, Nordic Chamber Choir is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solomon, HWV 67, Act III: No. 58 Air "Will the sun forget to streak" (Queen) | George Frideric Handel, Akademie für Alte Musik Berlin, Daniel Reuss, Carolyn Sampson | E♭ Minor | 0 | 2A | 95 BPM | ||
VI. Herrscher über Tod und Leben (Choral) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln, Erika Tandiono, Sofia Pavone, Daniel Johannsen, Tobias Berndt | E♭ Major | 2 | 5B | 63 BPM | ||
Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | E Major | 1 | 12B | 84 BPM | ||
Missa in D-Dur, KV194: Sanctus | Chor und Orchester von St. Augustin, Alexander Kaimbacher, Andreas Pixner, Martina Steffl, Cornelia Horak, Klemens Sander | D Major | 2 | 10B | 114 BPM | ||
Kyrie, R. 587: 2. Allegro: Christe eleison | Antonio Vivaldi, Kaia Urb, Anna Zander, Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
Concerto à 5 in G Major for Two Oboes and Strings, Op. 9 No. 6: III. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt | F Major | 4 | 7B | 121 BPM | ||
Christ lag in Todesbanden (Chorus) | Johann Sebastian Bach, Edith Wiens, Carolyn Watkinson, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D♭ Major | 2 | 3B | 176 BPM | ||
Introduzione | Franz Joseph Haydn, Edoardo Bellotti, Maurizio Salerno | A Major | 1 | 11B | 81 BPM | ||
Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM | ||
Christ lag in Todesbanden: Versus I | Johann Pachelbel, Beate Spaltner, Nils Giebelhausen, Wolf Matthias Friedrich, Jurgen Banholzer, Hermann Oswald, Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | D Minor | 3 | 7A | 109 BPM |
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