Christ lag in Todesbanden (Chorus)
Johann Sebastian Bach, Edith Wiens, Carolyn Watkinson, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Bach, J.S.: Cantatas, Bwv 4-6
4:40 January 1, 2000
BPM
176
Key
D♭ Major
Camelot
3B

Embed

Share Link

Christ lag in Todesbanden (Chorus) - Johann Sebastian Bach, Edith Wiens, Carolyn Watkinson, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling Information

Acousticness
94%
Danceability
36%
Energy
23%
Instrumentalness
36%
Liveness
13%
Loudness
68%
Speechiness
3%
Valence
60%
Popularity
Loudness
-19.048 dB

Summary

Johann Sebastian Bach, Edith Wiens, Carolyn Watkinson, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling made "Christ lag in Todesbanden (Chorus)" available on January 1, 2000. With this song being about 5 minutes long, at 4:40, "Christ lag in Todesbanden (Chorus)" by Johann Sebastian Bach, Edith Wiens, Carolyn Watkinson, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 21 in Bach, J.S.: Cantatas, Bwv 4-6 by Johann Sebastian Bach, Helmuth Rilling. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Christ lag in Todesbanden (Chorus) is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Christ lag in Todesbanden (Chorus) BPM

The tempo marking of Christ lag in Todesbanden (Chorus) by Johann Sebastian Bach, Edith Wiens, Carolyn Watkinson, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Christ lag in Todesbanden (Chorus) Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es by Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana BlazikováLanguet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis esFrancesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana BlazikováE♭ Minor22A74 BPM
Concerto No. 5 In D Major BWV1050 - Allegro by Jordi Savall, Johann Sebastian BachConcerto No. 5 In D Major BWV1050 - AllegroJordi Savall, Johann Sebastian BachB♭ Major46B129 BPM
Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: II. Adagio by Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber OrchestraBach, JS: Violin Concerto No. 2 in E Major, BWV 1042: II. AdagioJohann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber OrchestraA Minor38A118 BPM
La Couperin (21e ordre) by François Couperin, Alexandre TharaudLa Couperin (21e ordre)François Couperin, Alexandre TharaudE Minor19A118 BPM
Symphony No. 2 in A Major, Op. 2, Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. VivaceWilliam Boyce, Aradia Ensemble, Kevin MallonA♭ Major14B187 BPM
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen by Robert Schumann, Martha ArgerichKinderszenen, Op.15: 1. Von fremden Ländern und MenschenRobert Schumann, Martha ArgerichG Major09B128 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro by Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : IV. AllegroArcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella IstropolitanaD Major310B129 BPM
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) by Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David ZinmanViolin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato)Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David ZinmanE♭ Major15B170 BPM
Kinderszenen, Op.15: 10. Fast zu ernst by Robert Schumann, Martha ArgerichKinderszenen, Op.15: 10. Fast zu ernstRobert Schumann, Martha ArgerichA♭ Minor01A67 BPM
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro by Joseph Haydn, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth SinfoniettaHaydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. AllegroJoseph Haydn, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth SinfoniettaB♭ Major06B183 BPM
ISRC
DEA559800061
Label
L-M Records/RCA Records

Section: 0.7092182636260986

End: 0.7147791385650635