"A Masked Ball: King of the Abyss (Ulrica's Invocation)" by Tasmanian Symphony Orchestra, Andrew Greene was released on October 5, 2012. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Tasmanian Symphony Orchestra's "Halloween Classics" album is number 23 out of 25. The popularity of A Masked Ball: King of the Abyss (Ulrica's Invocation) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Masked Ball: King of the Abyss (Ulrica's Invocation) by Tasmanian Symphony Orchestra, Andrew Greene to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ancient Airs And Dances - III. Siciliana | Ottorino Respighi, Raymond Dessaints, Ensemble Amati | C Minor | 0 | 5A | 105 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Xerxes: Largo | Iona Brown, Academy of St. Martin in the Fields | F Major | 2 | 7B | 114 BPM | ||
Wild Mountain Thyme (Arr. Jessica Wells) | Sally Maer, Tasmanian Symphony Orchestra, Andrew Greene | B Major | 2 | 1B | 83 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 173 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn | Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen | E Major | 1 | 12B | 87 BPM | ||
Fantasia on Greensleeves (Arr. Ralph Greaves) | Ralph Vaughan Williams, Ralph Greaves, Tasmanian Symphony Orchestra, David Stanhope | C Minor | 1 | 5A | 73 BPM | ||
Satie / Orch. Debussy: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Georges Prêtre, Orchestre National De France | G Major | 0 | 9B | 74 BPM | ||
V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM |
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