Heitor Villa-Lobos, Rosana Lamosa, Nashville Symphony Orchestra Cellos, Kenneth Schermerhorn's 'Bachianas brasileiras No. 5: II. Danza: Martelo' came out on November 15, 2005. With this song being about 5 minutes long, at 4:35, "Bachianas brasileiras No. 5: II. Danza: Martelo" by Heitor Villa-Lobos, Rosana Lamosa, Nashville Symphony Orchestra Cellos, Kenneth Schermerhorn is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Villa-Lobos: Bachianas Brasileiras (Complete) by Heitor Villa-Lobos, Andrew Mogrelia, Kenneth Schermerhorn. The song's track number on the album is #6 out of 29 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Bachianas brasileiras No. 5: II. Danza: Martelo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas brasileiras No. 5: II. Danza: Martelo by Heitor Villa-Lobos, Rosana Lamosa, Nashville Symphony Orchestra Cellos, Kenneth Schermerhorn has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bachianas brasileiras No. 5: II. Danza: Martelo being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM | ||
Violin Concerto in D Major, Op. 35: III. Finale - Allegro assai vivace | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 4 | 9B | 76 BPM | ||
Don Quichotte à Dulcinée, M. 84: No. 1, Chanson romanesque | Maurice Ravel, Francois Le Roux, Orchestre National De Lyon, Leonard Slatkin | F♯ Major | 1 | 2B | 86 BPM | ||
Saudades das Selvas Brasilieras No. 2 | Heitor Villa-Lobos, Nelson Freire | A Major | 1 | 11B | 65 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Vater unser, S29/R519 | Franz Liszt, Radio Svizzera Choir, Lugano, Diego Fasolis | A♭ Major | 0 | 4B | 83 BPM | ||
The House of Life: Silent Noon | Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Simon Keenlyside, Duke Quartet | G Major | 1 | 9B | 92 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 126 BPM | ||
Britten: Serenade, Op. 31: VI. Hymn | Benjamin Britten, Ian Bostridge, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 2 | 6A | 157 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | F Minor | 2 | 4A | 84 BPM |
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