On March 25, 2009, the song "Die Zauberflöte: Act 2 - Alles Fühlt Der Liebe Freuden" was released by Elisabeth Grümmer, Erika Köth, Sir Georg Solti. With Die Zauberflöte: Act 2 - Alles Fühlt Der Liebe Freuden being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wolfgang Amadeus Mozart: Die Zauberflöte by Elisabeth Grümmer. The song's track number on the album is #6 out of 48 tracks. Based on our statistics, Die Zauberflöte: Act 2 - Alles Fühlt Der Liebe Freuden's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Die Zauberflöte: Act 2 - Alles Fühlt Der Liebe Freuden by Elisabeth Grümmer, Erika Köth, Sir Georg Solti has a tempo of 158 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Die Zauberflöte: Act 2 - Alles Fühlt Der Liebe Freuden being at 158 BPM, the half-time would be 79 BPM with a double-time of 316 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert : "Kennst du das Land" D321 | Franz Schubert, Barbara Bonney | F Major | 1 | 7B | 91 BPM | ||
Parsifal / Act 2: "Komm, holder Knabe!" | Richard Wagner, Heidi Grant Murphy, Kaaren Erickson, Korliss Uecker, Joyce Guyer, Jane Bunnell, Wendy White, Plácido Domingo, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Frauenliebe und -leben Op. 42: 2. Er, der Herrlichste von allen | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | G Major | 0 | 9B | 73 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
Macbeth: Overture (Preludio) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | F Minor | 0 | 4A | 106 BPM | ||
Meeresstille und glückliche Fahrt, Op.112: Meeresstille: Poco sostenuto | Ludwig van Beethoven, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Walter Hagen-Groll | D Major | 0 | 10B | 66 BPM | ||
Die Zauberflöte: Act 1 - Dialogue | Elisabeth Grümmer, Erika Köth, Sir Georg Solti | F Minor | 1 | 4A | 68 BPM | ||
Missa in Angustiis "Lord Nelson Mass": I. Kyrie | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | F Major | 2 | 7B | 78 BPM | ||
La Cenerentola / Act 1: "Una volta c'era un re" | Gioachino Rossini, Cecilia Bartoli, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Minor | 0 | 7A | 106 BPM | ||
Les 7 paroles du Christ: Introduction, “O vos omnes” | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 1 | 7A | 112 BPM |
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