Otto Nicolai, Staatskapelle Berlin, Kurt Moll, Bernd Weikl, Bernhard Klee's 'Die lustigen Weiber von Windsor: Akt II: Rezitativ: "Gott grüß Euch, Sir!"' came out on January 1, 1978. Die lustigen Weiber von Windsor: Akt II: Rezitativ: "Gott grüß Euch, Sir!" appears to be safe for all ages as it is not explicit. There are a total of 33 in the song's album "Nicolai: Die lustigen Weiber von Windsor". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die lustigen Weiber von Windsor: Akt II: Rezitativ: "Gott grüß Euch, Sir!" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die lustigen Weiber von Windsor: Akt II: Rezitativ: "Gott grüß Euch, Sir!" by Otto Nicolai, Staatskapelle Berlin, Kurt Moll, Bernd Weikl, Bernhard Klee having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa di Gloria: XV. Et vitam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | D Major | 1 | 10B | 64 BPM | ||
Aida: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | D Major | 0 | 10B | 91 BPM | ||
Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 99 BPM | ||
Messa di Gloria: Kyrie eleison | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | G Major | 1 | 9B | 92 BPM | ||
Schubert: Mass in G Major, D. 167: Kyrie | Franz Schubert, Lucia Popp, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | ||
Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 135 BPM | ||
Massenet: Don Quichotte, Act 1: Introduction - "Alza ! Alza ! Alza !" (Pedro, Garcias, Rodriguez, Juan, Chœur) | Jules Massenet, Choeur du Capitole de Toulouse - Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq - Marie Ange Todorovitch - Isabelle Vernet, Christian Papis, Choeur Du Capitole De Toulouse, Isabelle Vernet, Marie-Ange Todorovitch, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Die lustigen Weiber von Windsor / Act 3: O süßer Mond | Otto Nicolai, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Rafael Kubelik | E♭ Major | 0 | 5B | 92 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): Prelude | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 0 | 7B | 144 BPM | ||
Ein deutsches Requiem, Op. 45: V. Ihr habt nur Traurigkeit | Johannes Brahms, Christiane Oelze, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | B♭ Major | 0 | 6B | 120 BPM |
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