"Manon / Act 3: Je marche sur les chemins...Obéissons quand leur voix appelle)" by Jules Massenet, Renée Fleming, English Chamber Orchestra, Jeffrey Tate was released on January 1, 1998. Manon / Act 3: Je marche sur les chemins...Obéissons quand leur voix appelle) is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Renée Fleming - The Beautiful Voice". In this album, this song's track order is #3. In terms of popularity, Manon / Act 3: Je marche sur les chemins...Obéissons quand leur voix appelle) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon / Act 3: Je marche sur les chemins...Obéissons quand leur voix appelle) by Jules Massenet, Renée Fleming, English Chamber Orchestra, Jeffrey Tate having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Après un rêve (Arr. by Söllscher) | Gabriel Fauré, Jian Wang, Göran Söllscher | F Minor | 1 | 4A | 100 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Sospiri, Op.70 - Adagio For Strings, Harp And Organ, Op.70 | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 52 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Sarabande et rigaudon, Op. 93: Sarabande | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | E Major | 1 | 12B | 84 BPM |
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