"Sospiri, Op.70 - Adagio For Strings, Harp And Organ, Op.70" by Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner was released on December 20, 2001. Sospiri, Op.70 - Adagio For Strings, Harp And Organ, Op.70 is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The song is number 3 out of 18 in Elgar: In the South; Enigma Variations by Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner. Sospiri, Op.70 - Adagio For Strings, Harp And Organ, Op.70 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sospiri, Op.70 - Adagio For Strings, Harp And Organ, Op.70 by Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner is Lento (slowly), since this song has a tempo of 52 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante Cantabile from String Quartet No. 1 in D Major, Op. 11 (Arr. Leopold Stokowski) | Pyotr Ilyich Tchaikovsky, Matthias Bamert, BBC Philharmonic | F Major | 0 | 7B | 91 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Ausdrucksvoll (English horn & bass clarinet) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Minor | 2 | 9A | 87 BPM | ||
Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 | Johann Sebastian Bach, Murray Perahia | G Minor | 3 | 6A | 122 BPM | ||
Piano Quintet in A Minor, Op. 14: II. Andante sostenuto | Camille Saint-Saëns, Fine Arts Quartet, Cristina Ortiz | F Major | 0 | 7B | 72 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM |
Section: 0.7600703239440918
End: 0.7638332843780518