Prince Igor / Act 2: Polovtsian Dances - Alexander Borodin, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev Information

Acousticness: 95%
Danceability: 23%
Energy: 15%
Instrumentalness: 85%
Liveness: 7%
Loudness: 70%
Speechiness: 4%
Valence: 6%
Popularity: 4%
Loudness: -18.094 dB

Summary

"Prince Igor / Act 2: Polovtsian Dances" by Alexander Borodin, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev was released on January 1, 1994. Prince Igor / Act 2: Polovtsian Dances appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Tchaikovsky: 1812 Overture / Borodin: Polovtsian Dances / Glinka: Ruslan & Lyudmila / Khachaturian / Liadov". In this album, this song's track order is #4. In terms of popularity, Prince Igor / Act 2: Polovtsian Dances is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Prince Igor / Act 2: Polovtsian Dances BPM

With Prince Igor / Act 2: Polovtsian Dances by Alexander Borodin, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Prince Igor / Act 2: Polovtsian Dances Key

D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite pastorale: III. Sous-bois	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	G Major	0	9B	0 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)	Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding	B♭ Major	2	6B	147 BPM
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino	Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly	B♭ Major	1	6B	172 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor	Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz	G Minor	1	6A	83 BPM
The Gadfly, Op97: 3. Youth (Romance)	Dmitri Shostakovich, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits	C Major	1	8B	138 BPM
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major	Johannes Brahms, Tal & Groethuysen	A Major	0	11B	126 BPM
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio	Wolfgang Amadeus Mozart, Jack Brymer, Sir Thomas Beecham, Royal Philharmonic Orchestra	C Major	7	8B	89 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Polovtsian Dances From "Prince Igor"	Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir	D Major	1	10B	103 BPM
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio	Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini	F♯ Minor	0	11A	108 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7627875804901123

End: 0.7679500579833984