"Parsifal, WWV 111 / Act III: Nur eine Waffe taugt" by Richard Wagner, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1981. With this song being about 5 minutes long, at 4:45, "Parsifal, WWV 111 / Act III: Nur eine Waffe taugt" by Richard Wagner, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Parsifal by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan. The song's track number on the album is #10 out of 38 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Parsifal, WWV 111 / Act III: Nur eine Waffe taugt's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Parsifal, WWV 111 / Act III: Nur eine Waffe taugt by Richard Wagner, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Parsifal, WWV 111 / Act III: Nur eine Waffe taugt being at 138 BPM, the half-time would be 69 BPM with a double-time of 276 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XIV. Komm! Komm! | Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, City of Birmingham Symphony Chorus, Juliane Banse, London Symphony Chorus | B♭ Minor | 0 | 3A | 79 BPM | ||
Tosca / Act 1: "E buona la mia Tosca" - "Siam soli?" | Giacomo Puccini, José Carreras, Gottfried Hornik, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan, Schoeneberger Saengerknaben, Chor der Deutschen Oper Berlin | B♭ Major | 2 | 6B | 99 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich | Johannes Brahms, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | B♭ Major | 0 | 6B | 120 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 87 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Danse grotesque de Dorcon - Vif - Plus modéré - Trés modéré - Pesant | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | F Major | 1 | 7B | 189 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Introduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 65 BPM | ||
Wagner: Tristan und Isolde, Act 1: "Frisch weht der Wind" (A young sailor, Isolde, Brangäne, Kurwenal, Tristan, Chorus) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Chor Der Staatsoper Berlin, Falk Struckmann, Marjana Lipovsek, Siegfried Jerusalem, Uwe Heilmann, Waltraud Meier | G Major | 3 | 9B | 92 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Ritual Action of the Ancestors | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 108 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM |
Section: 0.7084286212921143
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