"Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Introduction" by Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 2007. With this song being about 5 minutes long, at 4:37, "Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Introduction" by Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Stravinsky: The Rite of Spring / Bartók: Concerto for Orchestra". In this album, this song's track order is #9. Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Introduction by Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.9 In D / 1. Satz: Etwas frischer | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 99 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 74 BPM | ||
Pictures at an Exhibition: Gnomus | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 85 BPM | ||
Symphony No. 1 in C Major, Op. 21: IV. Finale. Adagio. Allegro molto e vivace | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 149 BPM | ||
Der Freischütz, Op. 77, J. 277: Entr'acte | Carl Maria von Weber, Berliner Philharmoniker, Wilhelm Furtwängler | A Major | 2 | 11B | 111 BPM | ||
Symphony No. 8, Zweiter Teil: XIII. Neige, neige, du Ohnegleiche | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, MDR Leipzig Radio Chorus, Susan Bullock, Knaben des Staats- und Domchors Berlin, Anna Prohaska | B♭ Major | 1 | 6B | 79 BPM | ||
Mozart: Così fan tutte, K. 588, Act 1 Scene 1: No. 1, Terzetto, "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso) | Wolfgang Amadeus Mozart, Rolando Panerai, Herbert von Karajan, Philharmonia Orchestra | G Major | 2 | 9B | 119 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: IV. Largo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 0 | 7B | 78 BPM | ||
La Bohème / Act 1: "Chi è là?" | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM | ||
Turangalîla Symphonie: 5. Joie du sang des étoiles | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E♭ Minor | 5 | 2A | 121 BPM |
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