"Palestrina: Missa Papae Marcelli - 12. Hosanna" by Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars was released on March 1, 2005. With Palestrina: Missa Papae Marcelli - 12. Hosanna being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 66 in the song's album "The Tallis Scholars Sing Palestrina". In this album, this song's track order is #64. Furthermore, we believe that the track originated from United Kingdom. Palestrina: Missa Papae Marcelli - 12. Hosanna is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Palestrina: Missa Papae Marcelli - 12. Hosanna by Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Viri Galilaei: Missa Viri Galilaei: Agnus Dei | Giovanni Pierluigi da Palestrina, Philippe Herreweghe, Ensemble Vocal Européen | D♭ Minor | 1 | 12A | 73 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
La Rose Complete | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 125 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: II. Glory Be to the Father | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | A♭ Major | 2 | 4B | 119 BPM | ||
The Three Hermits: Pilgrims' Hymn | Stephen Paulus, Westminster Williamson Voices, James Jordan | G Major | 0 | 9B | 134 BPM | ||
2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 0 | 6B | 138 BPM | ||
Missa pro Defunctis (1544): Kyrie | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 91 BPM | ||
Sacred Madrigals, Book 2 (Delle madrigali spirituali libro secondo): Figlio immortal | Giovanni Pierluigi da Palestrina, Agnes Kovacs, Agnes Pinter, Judit Andrejszki, Karoly Paszti, Zoltan Kalmanovits, Corvina Consort | D Minor | 1 | 7A | 115 BPM | ||
Tuba sacre fidei - In arboris (Arr. Harre-Jones) | Philippe de Vitry, Orlando Consort | G Major | 1 | 9B | 139 BPM | ||
Messa della Domenica: IV. Agnus Dei | Giovanni Salvatore, Stirps Jesse Ensemble, Fabio Bonizzoni, Enrico De Capitani | C Major | 1 | 8B | 102 BPM |
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