Nikolaus Harnoncourt's 'Messiah, HWV 56: Part 1: For unto us a child is born (Chorus)' came out on 2005. With this song being about 5 minutes long, at 4:53, "Messiah, HWV 56: Part 1: For unto us a child is born (Chorus)" by Nikolaus Harnoncourt is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Nikolaus Harnoncourt's "Händel: Messiah" album is number 11 out of 47. On top of that, Germany appears to be the country where this track was created. Messiah, HWV 56: Part 1: For unto us a child is born (Chorus) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Messiah, HWV 56: Part 1: For unto us a child is born (Chorus) by Nikolaus Harnoncourt to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor for 2 Oboes, Strings & Continuo, RV 535 - Ed. Hogwood: 2. Largo | Antonio Vivaldi, Celia Nicklin, Neil Black, Christopher Hogwood, Colin Tilney, Kenneth Heath, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 1 | 7A | 166 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 134 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Messiah, HWV 56: Part 3: If God be for us (Air) | Nikolaus Harnoncourt | F♯ Minor | 1 | 11A | 131 BPM | ||
Sonata in F, BuxWV 269: II. Solo- Allegro | Dietrich Buxtehude, La Rêveuse | E Major | 2 | 12B | 103 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Concerto for 2 Mandolins, Strings and Continuo in G Major, RV. 532: I. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | A♭ Minor | 3 | 1A | 80 BPM |
Section: 0.7078497409820557
End: 0.7123446464538574