"Scheherazade - Symphonic Suite Op. 35: I. The Sea and Sinbad's Ship" by L'Orchestre de la Suisse Romande, Armin Jordan was released on September 17, 2012. Scheherazade - Symphonic Suite Op. 35: I. The Sea and Sinbad's Ship is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There is only one song in 100 Chefs-d'oeuvre pour découvrir la musique classique, so we believe that "Scheherazade - Symphonic Suite Op. 35: I. The Sea and Sinbad's Ship" is a single. In terms of popularity, Scheherazade - Symphonic Suite Op. 35: I. The Sea and Sinbad's Ship is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Scheherazade - Symphonic Suite Op. 35: I. The Sea and Sinbad's Ship by L'Orchestre de la Suisse Romande, Armin Jordan is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
The Seasons, Op.67: 3. Summer | Alexander Glazunov, Orchestre de la Suisse Romande, Ernest Ansermet | B Minor | 1 | 10A | 128 BPM | ||
Fidelio op. 72: Euch werde Lohn in bessern Welten, | Ludwig van Beethoven, Orchestre de la Suisse Romande, Ferenc Fricsay, Peter Anders, Gottlob Frick, Helene Werth | A Minor | 3 | 8A | 136 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Le Roi David, H 37, Part. 1: Introduction | Arthur Honegger, Ensemble Vocal de Lausanne, Daniel Reuss, L'Orchestre de la Suisse Romande, Christophe Balissat | E Minor | 0 | 9A | 43 BPM | ||
Symphony No. 1 in C Minor, WAB 101 (1877 Linz version, ed. L. Nowak): III. Scherzo: Schnell | Anton Bruckner, Orchestre de la Suisse Romande, Marek Janowski | C Minor | 1 | 5A | 136 BPM | ||
Les Contes d'Hoffmann / Act 2: A nous trois, mes maîtres! | Jacques Offenbach, Joan Sutherland, Huguette Tourangeau, Plácido Domingo, Gabriel Bacquier, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 5 | 8B | 107 BPM |
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