Ludwig van Beethoven, Dmytro Popov, Podlasie Opera and Philharmonic Choir, Ukrainian Freedom Orchestra, Keri-Lynn Wilson made "Symphony No. 9 in D Minor, Op. 125 "Choral": IVe-f. Allegro vivace assai. Alla marcia – Chorus. Freude, schöner Götterfunken (Sung in Ukrainian)" available on February 23, 2024. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 11 in Beethoven: Symphony No. 9 by Ludwig van Beethoven, Ukrainian Freedom Orchestra, Keri-Lynn Wilson. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Symphony No. 9 in D Minor, Op. 125 "Choral": IVe-f. Allegro vivace assai. Alla marcia – Chorus. Freude, schöner Götterfunken (Sung in Ukrainian) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Symphony No. 9 in D Minor, Op. 125 "Choral": IVe-f. Allegro vivace assai. Alla marcia – Chorus. Freude, schöner Götterfunken (Sung in Ukrainian) by Ludwig van Beethoven, Dmytro Popov, Podlasie Opera and Philharmonic Choir, Ukrainian Freedom Orchestra, Keri-Lynn Wilson is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verklärte Nacht, Op. 4 (version for string orchestra): Poco adagio [Transfigured Night] | Arnold Schoenberg, Ulster Orchestra, Takuo Yuasa | G Major | 1 | 9B | 89 BPM | ||
Nijoła: No. 8, Zawrzały wody | Stanisław Moniuszko, Robert Gierlach, Podlasie Opera and Philharmonic Choir, Poznan Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 86 BPM | ||
Symphony No. 1 in C Minor: IV. Finale. Adagio - Allegro | Emilie Mayer, NDR Radiophilharmonie, Leo McFall | A♭ Minor | 0 | 1A | 67 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Quo vadis, Op. 30 (Sung in Polish): Sześć dni nie wschodzi słońce nam | Feliks Nowowiejski, Podlasie Opera and Philharmonic Choir, Sławomir Kamiński, Poznan Philharmonic Orchestra, Łukasz Borowicz | F♯ Major | 2 | 2B | 80 BPM | ||
La vestale: Ouverture | Gaspare Spontini, Les Talens Lyriques, Christophe Rousset | D Major | 1 | 10B | 107 BPM | ||
Les Sylphides: 5. Mazurka (Arr. Roy Douglas) | Frédéric Chopin, Orchestre De La Société Des Concerts Du Conservatoire, Peter Maag | F Major | 2 | 7B | 77 BPM | ||
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: II. The Young Juliet | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Masques et Bergamasques, Op. 112: III. Gavotte | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM |
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