"Les Sylphides: 5. Mazurka (Arr. Roy Douglas)" by Frédéric Chopin, Orchestre De La Société Des Concerts Du Conservatoire, Peter Maag was released on February 5, 2021. With Les Sylphides: 5. Mazurka (Arr. Roy Douglas) being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Peter Maag's "Mendelssohn: A Midsummer Night's Dream; Chopin: Les Sylphides (The Peter Maag Edition - Volume 10)" album is number 13 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Les Sylphides: 5. Mazurka (Arr. Roy Douglas) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Sylphides: 5. Mazurka (Arr. Roy Douglas) by Frédéric Chopin, Orchestre De La Société Des Concerts Du Conservatoire, Peter Maag to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: Also sprach Zarathustra, Op. 30: III. Of the Great Longing | Richard Strauss, Wolfgang Sawallisch, Michael Stairs, Philadelphia Orchestra | D Major | 0 | 10B | 65 BPM | ||
The Excursions of Mr. Brouček, JWI/7: "Introduction" | Leoš Janáček, Prague National Theatre Orchestra, Jaroslav Kyzlink | F♯ Major | 1 | 2B | 75 BPM | ||
Étienne Marcel, R. 209, Act III, The Night of St. John, Before Notre Dame (Excerpts): Entrée des écoliers et des ribaudes | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
Suite from Mam'zelle Angot (Arranged and Orchestrated by Gordon Jacob), Act I: No. 1, Allegro | Alexandre Lecocq, Estonian National Symphony Orchestra, Neeme Järvi | F Minor | 1 | 4A | 135 BPM | ||
Il Barbiere Di Siviglia: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | G Major | 2 | 9B | 136 BPM | ||
Bank ban: Prelude | Ferenc Erkel, Jozsef Simandy, Karola Agay, Sandor Sòlyom-Nagy, Erzsebet Komlossy, Jozsef Reti, András Faragó, Laszlo Palocz, Gyorgy Melis, Imre Joky, András Rajna, Hungarian State Opera Chorus, Budapest Philharmonic Orchestra, Janos Ferencsik | C Major | 1 | 8B | 125 BPM | ||
Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto | Edward Elgar, Hallé, Sir Mark Elder | D Major | 1 | 10B | 137 BPM | ||
Jig in G, Sonata VI II (Thomas Arne) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Zerline, S. 42, Airs de ballet (Excerpts): Le carnaval de Palerme | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 3 | 7B | 112 BPM | ||
12 Songs, Op. 21: VII. Zdes' Khorosho (Orchestral Version) | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Major | 0 | 11B | 76 BPM |
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