Hubert Yves Adrien Giraud, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine made "Sous le ciel de Paris - Live" available on January 1, 2002. With Sous le ciel de Paris - Live being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "The Three Tenors - The Best of the 3 Tenors". In this album, this song's track order is #4. Based on our statistics, Sous le ciel de Paris - Live's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Sous le ciel de Paris - Live by Hubert Yves Adrien Giraud, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Warsaw Concerto | Frank Chackfield & His Orchestra | E Major | 3 | 12B | 112 BPM | ||
Concerto For Violin And Strings in E, Op. 8, No. 1, RV 269 "La Primavera": 1. Allegro | Antonio Vivaldi, Federico Agostini, I Musici | F Major | 1 | 7B | 92 BPM | ||
Ojos Negros | Cuerdas y Metales | G Minor | 3 | 6A | 123 BPM | ||
Salve Regina in C Minor - Transp. in A-Flat Minor | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Minor | 0 | 12A | 82 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Riccardo Muti, Ann Murray, Wiener Philharmoniker | B♭ Major | 1 | 6B | 111 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
Thaïs: Méditation | Herbert von Karajan, Anne-Sophie Mutter, Berliner Philharmoniker | E Minor | 1 | 9A | 99 BPM | ||
Sous le ciel de Paris / Padam Padam | Paul Mauriat | E Minor | 3 | 9A | 106 BPM |
Section: 0.6614561080932617
End: 0.6664087772369385