"Act IV: Quel suon, quelle preci ... Ah! che la morte - Miserere" by Giuseppe Verdi, Enrico Caruso, Frances Alda, Walter B. Rogers was released on 1990. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 18 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Act IV: Quel suon, quelle preci ... Ah! che la morte - Miserere is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Act IV: Quel suon, quelle preci ... Ah! che la morte - Miserere by Giuseppe Verdi, Enrico Caruso, Frances Alda, Walter B. Rogers is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 98 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Rigoletto - Bella Figlia Dell'Amore | Luciano Pavarotti, Adriana Lazzarini, Piero Cappuccilli, Margherita Rinaldi | D♭ Major | 2 | 3B | 61 BPM | ||
Carmen, Act I: No.10 Séguidille et Duo : Près des ramparts de Séville (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 90 BPM | ||
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
Cavalleria rusticana: "Il cavallo scalpita" | Pietro Mascagni, Piero Cappuccilli, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Major | 3 | 2B | 128 BPM | ||
Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | ||
Rossini: Il Barbiere di Siviglia: Overture | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 2 | 12B | 88 BPM | ||
Verdi: Macbeth, Act 2: "Si colmi il calice" (Lady Macbeth, Coro, Macduff, Dama) | Giuseppe Verdi, Riccardo Muti, Ambrosian Opera Chorus, Fiorenza Cossotto, José Carreras, Maria Borgato, New Philharmonia Orchestra | E♭ Major | 3 | 5B | 100 BPM |
Section: 0.7656371593475342
End: 0.7700231075286865