Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384, Act II: Tutte le torture
Wolfgang Amadeus Mozart, Maria Callas, RAI Symphony Orchestra, Rome, Oliviero de Fabritiis
Maria Callas Legendary Recordings
8:42 March 1, 2014
BPM
90
Key
C Major
Camelot
8B

Embed

Share Link

Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384, Act II: Tutte le torture - Wolfgang Amadeus Mozart, Maria Callas, RAI Symphony Orchestra, Rome, Oliviero de Fabritiis Information

Acousticness
98%
Danceability
33%
Energy
20%
Instrumentalness
33%
Liveness
54%
Loudness
76%
Speechiness
5%
Valence
25%
Popularity
Loudness
-14.494 dB

Summary

Wolfgang Amadeus Mozart, Maria Callas, RAI Symphony Orchestra, Rome, Oliviero de Fabritiis's 'Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384, Act II: Tutte le torture' came out on March 1, 2014. Since Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384, Act II: Tutte le torture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Maria Callas, Tullio Serafin, Herbert von Karajan, Gabriele Santini, Victor de Sabata, Antonino Votto, Leonard Bernstein, Oliviero de Fabritiis, Arturo Basile's "Maria Callas Legendary Recordings" album is number 13 out of 14. In terms of popularity, Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384, Act II: Tutte le torture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384, Act II: Tutte le torture BPM

We consider the tempo marking of Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384, Act II: Tutte le torture by Wolfgang Amadeus Mozart, Maria Callas, RAI Symphony Orchestra, Rome, Oliviero de Fabritiis to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384, Act II: Tutte le torture Key

The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Ständchen in D Minor (After Schubert), S. 560 by Franz Liszt, Lise de la SalleStändchen in D Minor (After Schubert), S. 560Franz Liszt, Lise de la SalleD Major010B76 BPM
Symphony No. 3 in C Minor, Op. 78 Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegroCamille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles DutoitG Major39B150 BPM
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai by Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner EhrhardtCello Concerto No. 3 in A Major, Wq. 172: III. Allegro assaiCarl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner EhrhardtE Major212B107 BPM
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 by Janos Sebestyen, Johann Sebastian BachPrelude In D Major, BWV 925 : Prelude In D Major, BWV 925Janos Sebestyen, Johann Sebastian BachD Major310B139 BPM
Viola Concerto in C Minor: I. Allegro molto ma maestoso by Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double SensViola Concerto in C Minor: I. Allegro molto ma maestosoJohann Christian Bach, Henri Casadesus, Nemanja Radulović, Double SensC Minor25A96 BPM
Sinfonia concertante for Violin, Viola and Orchestra in E-Flat Major, K. 364: II. Andante by Wolfgang Amadeus Mozart, Gordan Nikolić, Julia Fischer, Netherlands Chamber Orchestra, Yakov KreizbergSinfonia concertante for Violin, Viola and Orchestra in E-Flat Major, K. 364: II. AndanteWolfgang Amadeus Mozart, Gordan Nikolić, Julia Fischer, Netherlands Chamber Orchestra, Yakov KreizbergC Minor15A78 BPM
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 by Janos Sebestyen, Johann Sebastian BachPrelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926Janos Sebestyen, Johann Sebastian BachG Minor26A126 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico by Max Bruch, Itzhak Perlman, Bernard Haitink, ConcertgebouworkestViolin Concerto No. 1 in G Minor, Op. 26: III. Allegro energicoMax Bruch, Itzhak Perlman, Bernard Haitink, ConcertgebouworkestG Major39B97 BPM
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace by Louise Farrenc, Consortium ClassicumNonet in E-Flat Major, Op. 38: III. Scherzo. VivaceLouise Farrenc, Consortium ClassicumC Major08B79 BPM
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 by Felix Mendelssohn, Péter NagyLieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1Felix Mendelssohn, Péter NagyE♭ Major05B68 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8668429851531982

End: 0.8735144138336182