- BPM
- 66
- Key
- E Minor
- Camelot
- 9A
Suite Mariale, Op. 65: Paraphrase III - Paul Malengreau, Simon Lindley Information
- Acousticness
- 83%
- Danceability
- 19%
- Energy
- 1%
- Instrumentalness
- 62%
- Liveness
- 9%
- Loudness
- 46%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -32.277 dB
Summary
"Suite Mariale, Op. 65: Paraphrase III" by Paul Malengreau, Simon Lindley was released on June 10, 1992. The duration of Suite Mariale, Op. 65: Paraphrase III is about 3 minutes long, at 3:13. Based on our data, "Suite Mariale, Op. 65: Paraphrase III" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 16 in French Organ Music by Simon Lindley. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Suite Mariale, Op. 65: Paraphrase III is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Suite Mariale, Op. 65: Paraphrase III BPM
The tempo marking of Suite Mariale, Op. 65: Paraphrase III by Paul Malengreau, Simon Lindley is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Suite Mariale, Op. 65: Paraphrase III Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suffer at 3100m | Michelle Legauffe | A Major | 2 | 11B | 111 BPM | |
 | Come All You Worthy Gentlemen | Robin Milford, Andrew Seivewright | C Major | 0 | 8B | 85 BPM | |
 | Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | |
 | Suite: V. Intrada No. 2 | Thomas Simpson, The Prague Brass Soloists | C Major | 1 | 8B | 85 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | |
 | Concerto C-Dur: I. Tempo ordinario | Pietro Pellegrini, Annerös Hulliger, Jean-François Michel | G Major | 3 | 9B | 94 BPM | |
 | Aurinkomme ylösnousi | Vesa Kajava | C Minor | 2 | 5A | 69 BPM | |
 | Jocelyn, Op. 100, Act I: Berceuse (arr. for cello and orchestra) | Anonymous, Benjamin Godard, Karoly Botvay, Budapest Strings, Béla Bánfalvi | F Major | 1 | 7B | 67 BPM | |
 | Henry V, A Shakespeare Scenario: Appendix II. Obal, diniou Limouzi | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Celia Nicklin, Ian Watson, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus | B Major | 0 | 1B | 175 BPM | |
 | 3 Pièces for Organ: No. 2. Petit Canon | Nadia Boulanger, Paul Jacobs | A Minor | 0 | 8A | 129 BPM |
- ISRC
- HKI166241011
- Label
- L-M Records/RCA Records
Section: 0.7052631378173828
End: 0.7202377319335938