Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera's '3 Ariette: No. 3, Vaga luna che inargenti' came out on January 29, 2016. The duration of 3 Ariette: No. 3, Vaga luna che inargenti is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. 3 Ariette: No. 3, Vaga luna che inargenti's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Serenade". In this album, this song's track order is #14. 3 Ariette: No. 3, Vaga luna che inargenti is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 3 Ariette: No. 3, Vaga luna che inargenti by Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Turandot, Act 3: "Nessun dorma!" (Calaf, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Major | 1 | 10B | 79 BPM | ||
Wagner: Tannhäuser, Act 3: "O! du mein holder Abendstern" (Wolfram) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin, Thomas Hampson | D Major | 2 | 10B | 96 BPM | ||
Sposa, son disprezzata | Montserrat Caballé | F Minor | 1 | 4A | 106 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
La straniera: Act I: Qual suon! (Arturo, Alaide) | Vincenzo Bellini, Renata Scotto, Elena Zilio, Enrico Campi, Renato Cioni, Domenico Trimarchi, Maurizio Mazzieri, Glauco Scarlini, Palermo Teatro Massimo Chorus, Palermo Orchestra Sinfonica del Teatro Massimo, Nino Sanzogno | B♭ Major | 2 | 6B | 176 BPM | ||
Il Pirata, Act I: Ascolta. Nel furor delle tempeste | Vincenzo Bellini, Felice Romani, Javier Camarena, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra National de Paris | D♭ Major | 2 | 3B | 80 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Manon Lescaut: Act IV: Sola, perduta, abbandonata | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM |
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