Thomas Hampson's 'Der Zigeunerbaron: Als flotter Geist' came out on March 3, 2003. The duration of Der Zigeunerbaron: Als flotter Geist is about 3 minutes long, at 3:13. Based on our data, "Der Zigeunerbaron: Als flotter Geist" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Operetta Arias". In this album, this song's track order is #7. In terms of popularity, Der Zigeunerbaron: Als flotter Geist is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Der Zigeunerbaron: Als flotter Geist by Thomas Hampson having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K.492 / Act 2: “Son confusa, son stordita” | Wolfgang Amadeus Mozart, Christiane Karg, Sonya Yoncheva, Luca Pisaroni, Anne Sofie von Otter, Rolando Villazón, Maurizio Muraro, Thomas Hampson, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D♭ Major | 0 | 3B | 141 BPM | ||
Thaïs / Acte Un: Hélas! enfant encore | Jules Massenet, Thomas Hampson, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 84 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: "Skazhi, kotoraya Tatyana" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Neil Shicoff, Olga Borodina, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 140 BPM | ||
Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
Meyerbeer: Les Huguenots: Et maintenant je dois offrir - Act Two | Giacomo Meyerbeer, Rita Shane, Nicolai Gedda, Jeanette Scovotti, Radio Austria Chorus, Dimiter Petkov, Pedro Farres, Justino Diaz, Enriqueta Tarres | D♭ Major | 6 | 3B | 97 BPM | ||
Der Freischütz, J. 277 / Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen" | Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber | G Minor | 2 | 6A | 79 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
La Cenerentola / Act 1: "No, no, no non v'è" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B♭ Major | 3 | 6B | 82 BPM | ||
Norma / Act 1: Sgombra è la sacra | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 0 | 6B | 137 BPM | ||
Don Pasquale, Act III Sesta Scena: Tornami a dir che m'ami (Norina/Ernesto) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | A Major | 0 | 11B | 80 BPM |
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