Gavin Higgins, Tredegar Town Band, Ian Porthouse's 'Diversions (After B. Britten's Diversions, Op. 21): No. 4, Toccata. His Skill' came out on October 7, 2016. With this song being about 5 minutes long, at 4:46, "Diversions (After B. Britten's Diversions, Op. 21): No. 4, Toccata. His Skill" by Gavin Higgins, Tredegar Town Band, Ian Porthouse is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of War Memorials: Music for Brass Band by Tredegar Town Band, Cory Band. The song's track number on the album is #13 out of 13 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Diversions (After B. Britten's Diversions, Op. 21): No. 4, Toccata. His Skill's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Diversions (After B. Britten's Diversions, Op. 21): No. 4, Toccata. His Skill by Gavin Higgins, Tredegar Town Band, Ian Porthouse has a tempo of 145 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Diversions (After B. Britten's Diversions, Op. 21): No. 4, Toccata. His Skill being at 145 BPM, the half-time would be 72 BPM with a double-time of 290 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gursky Landscapes: IV. Utah | Gavin Higgins, Piatti Quartet, David Cohen | D Major | 4 | 10B | 124 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 85 BPM | ||
Ekstasis: II. Sweat | Gavin Higgins, David Cohen, Sara Roberts, Piatti Quartet | G Major | 1 | 9B | 83 BPM | ||
The Armed Man (Ensemble Version): XI. Now the Guns Have Stopped | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
プロヴァンスの風景: プロヴァンスの風景: いとしい人への歌 | Paule Maurice, Nobuya Sugawa, 小柳美奈子 | E Minor | 1 | 9A | 66 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
Lux Aeterna: III. Largo | Rihards Dubra, Saxtett | G Minor | 0 | 6A | 60 BPM | ||
Spring Symphony, Op. 44, Part I: The Merry Cuckoo (Tenor) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Allan Clayton | D Major | 2 | 10B | 148 BPM | ||
Adams: Girls of the Golden West, Act II Scene 3: It seems like midnight | John Adams, Los Angeles Philharmonic, Davóne Tines, Daniela Mack, Ryan McKinny | A Major | 0 | 11B | 79 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM |
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