"Lucia di Lammermoor / Act 1: "Egli s'avanza"" by Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge was released on January 1, 1972. The duration of Lucia di Lammermoor / Act 1: "Egli s'avanza" is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Lucia di Lammermoor / Act 1: "Egli s'avanza"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 36 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge. Lucia di Lammermoor / Act 1: "Egli s'avanza" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor / Act 1: "Egli s'avanza" by Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge is Lento (slowly), since this song has a tempo of 59 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Werther / Act III: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | G Minor | 1 | 6A | 79 BPM | ||
Peter Grimes, Op. 33 / Act 1: "Now the Great Bear and Pleiades" | Benjamin Britten, Sir Peter Pears, Marion Studholme, Iris Kells, Raymond Nilsson, James Pease, Jean Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | E Minor | 1 | 9A | 132 BPM | ||
Rossini: Il barbiere di Siviglia, Act 3: Recitativo. "Bravo, signor barbiere, ma bravo!" (Bartolo, Figaro, Rosina, Conte) | Gioachino Rossini, James Levine, Beverly Sills, Nicolai Gedda, Renato Capecchi, Sherrill Milnes, London Symphony Orchestra | C Major | 2 | 8B | 91 BPM | ||
L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
La Cenerentola / Act 2: "Scusate, amici" | Gioachino Rossini, Alessandro Corbelli, Enzo Dara, William Matteuzzi, Fernanda Costa, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Marechiare | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | C Major | 2 | 8B | 132 BPM | ||
Manon Lescaut / Act 3: All'armi! All'armi! | Giacomo Puccini, Dwayne Croft, Luciano Pavarotti, Mirella Freni, James Courtney, Federico Davia, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | E Minor | 4 | 9A | 79 BPM | ||
La Cenerentola / Act 1: "Là del diel nell'arcano profondo" | Gioachino Rossini, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 2 | 8B | 123 BPM | ||
Puccini: La rondine, Act 3: "No! Non m’inganno! … Laggiù c’è un uomo" (Lisette, Prunier, Maggiordomo, Magda) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Il Trovatore / Act 3: "Ah sì ben mio" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 78 BPM |
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