"Dances from "Il Scolaro": Pavaniglia - La Sartorella - Il Gabonano - La Balloria - La Montagnura - Saltarello della Battagli" by Gasparo Zanetti, The King's Noyse was released on 2000. Dances from "Il Scolaro": Pavaniglia - La Sartorella - Il Gabonano - La Balloria - La Montagnura - Saltarello della Battagli is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Pavaniglia - Dances & Madrigals from 17th-century Italy". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Dances from "Il Scolaro": Pavaniglia - La Sartorella - Il Gabonano - La Balloria - La Montagnura - Saltarello della Battagli is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dances from "Il Scolaro": Pavaniglia - La Sartorella - Il Gabonano - La Balloria - La Montagnura - Saltarello della Battagli by Gasparo Zanetti, The King's Noyse having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
Un fiore gentile m'apparse | Zachara da Teramo, Munir Beken, August Denhard | D Minor | 1 | 7A | 178 BPM | ||
Maddalena Casulana : Morir non può il mio core | Maddalena Casulana, Ensemble Laus Concentus, Silvia Piccolo, Massimo Lonardi, Maurizio Piantelli | C Major | 0 | 8B | 78 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM | ||
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
The English Dancing Master: St. Paul's steeple | John Playford, The Broadside Band, Jeremy Barlow | G Minor | 1 | 6A | 98 BPM | ||
Sonata quarta in D Major: I. Ciaccona | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Major | 1 | 4B | 95 BPM |
Section: 0.7689900398254395
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