Gidon Kremer, Alois Posch, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov's 'Piazzolla: María de Buenos Aires, Part 2, Scene 10: Tangata del alba' came out on February 16, 1998. With this song being about 5 minutes long, at 5:21, "Piazzolla: María de Buenos Aires, Part 2, Scene 10: Tangata del alba" by Gidon Kremer, Alois Posch, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Piazzolla: Maria de Buenos Aires". In this album, this song's track order is #11. In terms of popularity, Piazzolla: María de Buenos Aires, Part 2, Scene 10: Tangata del alba is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piazzolla: María de Buenos Aires, Part 2, Scene 10: Tangata del alba by Gidon Kremer, Alois Posch, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Violin Duets (1996 Digital Remaster): I. Praeludium | Pinchas Zukerman, Itzhak Perlman | B Minor | 1 | 10A | 91 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": II. Andante | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 131 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
Sonata for Violin and Piano No. 1 in F Minor, Op. 80: I. Andante assai | Sergei Prokofiev, Gidon Kremer, Martha Argerich | A♭ Major | 0 | 4B | 97 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged for cello and piano / Act 2: Dance of the Blessed Spirits (Reigen seliger Geister) | Christoph Willibald Gluck, Mischa Maisky, Pavel Gililov | B Minor | 1 | 10A | 66 BPM | ||
Violin Concerto in G Minor, Op. 8, No. 2, RV 315 "L'estate": I. Allegro non molto - Allegro | Antonio Vivaldi, Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | F Major | 1 | 7B | 143 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | ||
Glass: Company for String Orchestra, Movement II | Philip Glass, Gidon Kremer | D Minor | 1 | 7A | 181 BPM | ||
Sonata For Violin And Piano No. 6 In A, Op. 30 No. 1: 3. Allegretto con variazioni | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | G Major | 1 | 9B | 138 BPM |
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