Trionfo di Afrodite: No. 7 Apparizione di Afrodite - Carl Orff, Elisabeth Wiese-Langer, Kurt Böhme, Ratko Delorko, Annelies Kupper, Elisabeth Lindermeier, Richard Holm, Bavarian Radio Chorus, Josef Kugler, Bavarian Radio Symphony Orchestra, Eugen Jochum Information

"Trionfo di Afrodite: No. 7 Apparizione di Afrodite" by Carl Orff, Elisabeth Wiese-Langer, Kurt Böhme, Ratko Delorko, Annelies Kupper, Elisabeth Lindermeier, Richard Holm, Bavarian Radio Chorus, Josef Kugler, Bavarian Radio Symphony Orchestra, Eugen Jochum was released on January 1, 2002. With Trionfo di Afrodite: No. 7 Apparizione di Afrodite being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 39 in the song's album "Orff: Carmina burana; Catulli Carmina; Trionfo d'Afrodite". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. In terms of popularity, Trionfo di Afrodite: No. 7 Apparizione di Afrodite is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Trionfo di Afrodite: No. 7 Apparizione di Afrodite BPM

With Trionfo di Afrodite: No. 7 Apparizione di Afrodite by Carl Orff, Elisabeth Wiese-Langer, Kurt Böhme, Ratko Delorko, Annelies Kupper, Elisabeth Lindermeier, Richard Holm, Bavarian Radio Chorus, Josef Kugler, Bavarian Radio Symphony Orchestra, Eugen Jochum having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Trionfo di Afrodite: No. 7 Apparizione di Afrodite Key

F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.