"Mélodies passagères Op. 27 (Rainer Maria Rilke): Puisque tout passe" by Samuel Barber, Patricia Petibon, Susan Manoff was released on September 7, 2009. With Mélodies passagères Op. 27 (Rainer Maria Rilke): Puisque tout passe being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 30 in Fast Cats and Mysterious Cows by The American Boychoir, Patricia Petibon, Catherine King. Mélodies passagères Op. 27 (Rainer Maria Rilke): Puisque tout passe is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mélodies passagères Op. 27 (Rainer Maria Rilke): Puisque tout passe by Samuel Barber, Patricia Petibon, Susan Manoff is Larghissimo, since this song has a tempo of 0 BPM. With that information, we can conclude that the song has a slow tempo.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | ||
Barber: Piano Sonata Op.26, (ii) Allegro vivace e leggero | Fiachra Garvey, Samuel Barber | C Major | 1 | 8B | 77 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Reincarnations: The Coolin', Op. 16, No. 3 | Samuel Barber, Conspirare, Craig Hella Johnson | F Major | 0 | 7B | 81 BPM |
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