Pyotr Ilyich Tchaikovsky, M. Douloff, Peter Phillips's 'Eugene Onegin (Arr. Solo Piano by Douloff): Fantasia and Selections - Welte-Mignon 2016' came out on February 15, 2024. Eugene Onegin (Arr. Solo Piano by Douloff): Fantasia and Selections - Welte-Mignon 2016 appears to be safe for all ages as it is not explicit. The track order of this song in Bernhard Stavenhagen, Wilhelm Backhaus, Frédéric Chopin, Franz Liszt, Johann Sebastian Bach, Camille Saint-Saëns, Edvard Grieg, Felix Mendelssohn, Franz Schubert, Igor Stravinsky, Pyotr Ilyich Tchaikovsky, Maurice Ravel, Edward Elgar, Richard Wagner's "Great Piano Transcriptions from the Golden Age" album is number 13 out of 16. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Eugene Onegin (Arr. Solo Piano by Douloff): Fantasia and Selections - Welte-Mignon 2016 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Eugene Onegin (Arr. Solo Piano by Douloff): Fantasia and Selections - Welte-Mignon 2016 by Pyotr Ilyich Tchaikovsky, M. Douloff, Peter Phillips to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen | G Minor | 1 | 6A | 75 BPM | ||
Waltz No. 19 in A minor, Op. posth. | Frédéric Chopin, Peter Jablonski | A Minor | 0 | 8A | 69 BPM | ||
1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM | ||
Jazz Suite No. 2: II. Lyric Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 1 | 5A | 100 BPM | ||
Piano Sonata No.14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Daniel Barenboim | D♭ Minor | 0 | 12A | 139 BPM | ||
The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "L'estate": III. Tempo impetuoso d'estate | Antonio Vivaldi, Europa Galante, Fabio Biondi | F♯ Major | 6 | 2B | 85 BPM |
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