"Organ Concerto No. 13 in F Major, "Cuckoo and the Nightingale" HWV 295: 3. Organo ad libitum: Aria & Passpied (Telemann)" by George Frideric Handel, Peter Hurford was released on September 19, 1986. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Peter Hurford, Concertgebouw Chamber Orchestra, Joshua Rifkin's "Handel: Organ Concertos, Op. 4" album is number 27 out of 34. On top of that, United Kingdom appears to be the country where this track was created. Organ Concerto No. 13 in F Major, "Cuckoo and the Nightingale" HWV 295: 3. Organo ad libitum: Aria & Passpied (Telemann) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Organ Concerto No. 13 in F Major, "Cuckoo and the Nightingale" HWV 295: 3. Organo ad libitum: Aria & Passpied (Telemann) by George Frideric Handel, Peter Hurford to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Concerto á 5 in C Minor: III. Allegro | George Frideric Handel, Klaipėda Chamber Orchestra, Andrius Puskunigis, Vincent Bernhardt, Mindaugas Bačkus | C Minor | 3 | 5A | 72 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Messiah, HVW 56, Part 2, Scene 5: The Lord gave the word | George Frideric Handel, Bible, Charles Jennens, St. Jacob's Chamber Choir, Rebaroque, Gary Graden | B♭ Major | 3 | 6B | 89 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM |
Section: 0.8777437210083008
End: 0.8811578750610352