Eric Schmidt, Jonathan Rosenberg made "Kapitel 21.2 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 21.2 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:14. Based on our data, "Kapitel 21.2 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #28 out of 137 tracks. Kapitel 21.2 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 21.2 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 21.2 - Wie Google tickt - How Google Works being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kapitel 84.2 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg | B Minor | 2 | 10A | 81 BPM | ||
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Kapitel 3.2 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | A Major | 2 | 11B | 125 BPM | ||
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | A Major | 0 | 11B | 169 BPM | ||
Messe pour le sacre de Napoléon: III. Gloria, Laudamus te | Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | D Major | 2 | 10B | 76 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Requiem, Op. 9: Agnus Dei | Maurice Duruflé, Collegium Vocale Seoul | G Major | 2 | 9B | 169 BPM | ||
A Symphonic Mass: I. Kyrie | George Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus | G Major | 3 | 9B | 131 BPM | ||
Requiem: Pie Jesu | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg | G Major | 3 | 9B | 156 BPM |
Section: 1.0619099140167236
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