- BPM
- 76
- Key
- C Major
- Camelot
- 8B
Variations de concert sur la cavatine du Pirate de Bellini, Op. 8: Cavatine - Clara Schumann, Susanne Grutzmann Information
- Acousticness
- 99%
- Danceability
- 41%
- Energy
- 1%
- Instrumentalness
- 95%
- Liveness
- 5%
- Loudness
- 48%
- Speechiness
- 5%
- Valence
- 13%
- Popularity
- 2%
- Loudness
- -31.061 dB
Summary
"Variations de concert sur la cavatine du Pirate de Bellini, Op. 8: Cavatine" by Clara Schumann, Susanne Grutzmann was released on January 1, 2007. The duration of Variations de concert sur la cavatine du Pirate de Bellini, Op. 8: Cavatine is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Variations de concert sur la cavatine du Pirate de Bellini, Op. 8: Cavatine's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 66 in the song's album "Schumann, C.: Piano Works". In this album, this song's track order is #17. Variations de concert sur la cavatine du Pirate de Bellini, Op. 8: Cavatine is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Variations de concert sur la cavatine du Pirate de Bellini, Op. 8: Cavatine BPM
With Variations de concert sur la cavatine du Pirate de Bellini, Op. 8: Cavatine by Clara Schumann, Susanne Grutzmann having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Variations de concert sur la cavatine du Pirate de Bellini, Op. 8: Cavatine Key
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | |
 | 6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | |
 | Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM | |
 | Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | |
 | Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | |
 | Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Variations on a Theme by Robert Schumann, Op. 20: Theme | Clara Schumann, Benjamin Grosvenor | A Major | 0 | 11B | 76 BPM | |
 | Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM | |
 | Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7509615421295166
End: 0.756199836730957