Rape of Lucretia, Act II, Scene I: When Tarquinius desires
Benjamin Britten, Aldeburgh Festival Ensemble/Oliver Knussen/Ian Bostridge, Oliver Knussen, Aldeburgh Festival Ensemble
Britten: The Rape of Lucretia
2:11 December 28, 2012
BPM
170
Key
C Major
Camelot
8B

Embed

Share Link

Rape of Lucretia, Act II, Scene I: When Tarquinius desires - Benjamin Britten, Aldeburgh Festival Ensemble/Oliver Knussen/Ian Bostridge, Oliver Knussen, Aldeburgh Festival Ensemble Information

Acousticness
94%
Danceability
24%
Energy
4%
Instrumentalness
0%
Liveness
16%
Loudness
55%
Speechiness
5%
Valence
4%
Popularity
Loudness
-26.914 dB

Summary

"Rape of Lucretia, Act II, Scene I: When Tarquinius desires" by Benjamin Britten, Aldeburgh Festival Ensemble/Oliver Knussen/Ian Bostridge, Oliver Knussen, Aldeburgh Festival Ensemble was released on December 28, 2012. The duration of Rape of Lucretia, Act II, Scene I: When Tarquinius desires is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Rape of Lucretia, Act II, Scene I: When Tarquinius desires's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 28 in Britten: The Rape of Lucretia by Benjamin Britten, Aldeburgh Festival Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Rape of Lucretia, Act II, Scene I: When Tarquinius desires is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Rape of Lucretia, Act II, Scene I: When Tarquinius desires BPM

The tempo marking of Rape of Lucretia, Act II, Scene I: When Tarquinius desires by Benjamin Britten, Aldeburgh Festival Ensemble/Oliver Knussen/Ian Bostridge, Oliver Knussen, Aldeburgh Festival Ensemble is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Rape of Lucretia, Act II, Scene I: When Tarquinius desires Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
La Revue de cuisine: 2. Tango by Bohuslav Martinů, Saint Paul Chamber Orchestra, Christopher HogwoodLa Revue de cuisine: 2. TangoBohuslav Martinů, Saint Paul Chamber Orchestra, Christopher HogwoodF Major07B90 BPM
Mahler: Blumine by Gustav Mahler, San Francisco Symphony, Michael Tilson ThomasMahler: BlumineGustav Mahler, San Francisco Symphony, Michael Tilson ThomasC Major18B100 BPM
Scheherazade: Calm - the triumph of Scheherazade by Nikolai Rimsky-Korsakov, Joakim SvenhedenScheherazade: Calm - the triumph of ScheherazadeNikolai Rimsky-Korsakov, Joakim SvenhedenE Minor09A68 BPM
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria by Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick DavinLudus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro PatriaAugusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick DavinB♭ Major06B78 BPM
On hearing the first Cuckoo in Spring by Frederick Delius, Academy of St. Martin in the Fields, Sir Neville MarrinerOn hearing the first Cuckoo in SpringFrederick Delius, Academy of St. Martin in the Fields, Sir Neville MarrinerG Major19B80 BPM
Brandenburg Concerto No. 5 in D, BWV 1050: 2. Affetuoso by Johann Sebastian Bach, English Chamber Orchestra, Benjamin BrittenBrandenburg Concerto No. 5 in D, BWV 1050: 2. AffetuosoJohann Sebastian Bach, English Chamber Orchestra, Benjamin BrittenB♭ Major16B109 BPM
Brandenburg Concerto No.1 in F, BWV 1046: 2. Adagio by Johann Sebastian Bach, English Chamber Orchestra, Benjamin BrittenBrandenburg Concerto No.1 in F, BWV 1046: 2. AdagioJohann Sebastian Bach, English Chamber Orchestra, Benjamin BrittenD Minor17A111 BPM
Candide / Act I: 1. Overture by Leonard Bernstein, London Symphony OrchestraCandide / Act I: 1. OvertureLeonard Bernstein, London Symphony OrchestraB♭ Major46B148 BPM
Wesendonck Lieder, WWV 91: Schmerzen by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin DavisWesendonck Lieder, WWV 91: SchmerzenRichard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin DavisC Minor15A132 BPM
Saint Nicolas, Op. 42: The Death Of Nicolas by Benjamin Britten, Sir Peter Pears, Aldeburgh Festival Chorus, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival OrchestraSaint Nicolas, Op. 42: The Death Of NicolasBenjamin Britten, Sir Peter Pears, Aldeburgh Festival Chorus, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival OrchestraD Major310B64 BPM
ISRC
GBPFW1200243
Label
L-M Records/RCA Records

Section: 0.6775801181793213

End: 0.6813504695892334