"Rape of Lucretia, Act II, Scene I: When Tarquinius desires" by Benjamin Britten, Aldeburgh Festival Ensemble/Oliver Knussen/Ian Bostridge, Oliver Knussen, Aldeburgh Festival Ensemble was released on December 28, 2012. The duration of Rape of Lucretia, Act II, Scene I: When Tarquinius desires is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Rape of Lucretia, Act II, Scene I: When Tarquinius desires's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 28 in Britten: The Rape of Lucretia by Benjamin Britten, Aldeburgh Festival Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Rape of Lucretia, Act II, Scene I: When Tarquinius desires is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rape of Lucretia, Act II, Scene I: When Tarquinius desires by Benjamin Britten, Aldeburgh Festival Ensemble/Oliver Knussen/Ian Bostridge, Oliver Knussen, Aldeburgh Festival Ensemble is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Revue de cuisine: 2. Tango | Bohuslav Martinů, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 90 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 0 | 9A | 68 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM | ||
Brandenburg Concerto No. 5 in D, BWV 1050: 2. Affetuoso | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Brandenburg Concerto No.1 in F, BWV 1046: 2. Adagio | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | D Minor | 1 | 7A | 111 BPM | ||
Candide / Act I: 1. Overture | Leonard Bernstein, London Symphony Orchestra | B♭ Major | 4 | 6B | 148 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Saint Nicolas, Op. 42: The Death Of Nicolas | Benjamin Britten, Sir Peter Pears, Aldeburgh Festival Chorus, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival Orchestra | D Major | 3 | 10B | 64 BPM |
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