"Notturno For Violin And Orchestra, Op. 12" by Joseph Joachim, Daniel Hope, Royal Stockholm Philharmonic Orchestra, Sakari Oramo was released on January 1, 2011. Since Notturno For Violin And Orchestra, Op. 12 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "The Romantic Violinist - A Celebration of Joseph Joachim". In this album, this song's track order is #8. In terms of popularity, Notturno For Violin And Orchestra, Op. 12 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Notturno For Violin And Orchestra, Op. 12 by Joseph Joachim, Daniel Hope, Royal Stockholm Philharmonic Orchestra, Sakari Oramo having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’Endimione: Fandango (Transcr. for Chamber Orchestra) | Nicola Conforto, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Schumann, Clara: Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Sophie Pacini | A♭ Major | 2 | 4B | 78 BPM | ||
Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria | Elena Kats-Chernin, Daniel Hope, Jacques Ammon | F Major | 1 | 7B | 164 BPM | ||
12 Gesänge, Op. 8: VIII. Hexenlied (Anderes Maienlied), MWV K 33 | Felix Mendelssohn, Daniel Hope, Sebastian Knauer | D♭ Major | 0 | 3B | 80 BPM | ||
Carmen Fantasy, Op. 25: V. Moderato - Animato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Minor | 3 | 8A | 136 BPM | ||
Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 9 in E Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | B Minor | 1 | 10A | 106 BPM | ||
Biafra | Alex Baranowski, Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin | B♭ Minor | 0 | 3A | 74 BPM | ||
Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 0 | 9B | 55 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Variazione III: Andante sostenuto | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 103 BPM |
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