Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski's 'La Grande Duchess de Gerolstein, Acte I: Récit: 'Vive la Grande Duchesse' (l'armée/Duchesse/Boum/Fritz/Puck)' came out on September 2, 2005. The duration of La Grande Duchess de Gerolstein, Acte I: Récit: 'Vive la Grande Duchesse' (l'armée/Duchesse/Boum/Fritz/Puck) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. La Grande Duchess de Gerolstein, Acte I: Récit: 'Vive la Grande Duchesse' (l'armée/Duchesse/Boum/Fritz/Puck)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 65 in the song's album "Offenbach: La Grande Duchesse de Gerolstein". In this album, this song's track order is #14. The popularity of La Grande Duchess de Gerolstein, Acte I: Récit: 'Vive la Grande Duchesse' (l'armée/Duchesse/Boum/Fritz/Puck) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Grande Duchess de Gerolstein, Acte I: Récit: 'Vive la Grande Duchesse' (l'armée/Duchesse/Boum/Fritz/Puck) by Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Impressions De France - From "Impressions De France" | Camille Saint-Saëns, Claude Debussy, François-Adrien Boieldieu, Maurice Ravel, Jacques Offenbach, Paul Dukas, Erik Satie, Buddy Baker | C Major | 3 | 8B | 94 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | D Major | 2 | 10B | 90 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | D Major | 1 | 10B | 114 BPM | ||
Madame Butterfly: Coro a bocca chiusa | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 0 | 6B | 94 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.7 in C Minor (Allegro assai) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Minor | 2 | 5A | 134 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM |
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